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Silvia (Last Name Unknown), underboss, owns a flag with a silver background outlined with two thick lines, one green and one black. Silvia's servants are concidered to be the more mild tempored contributions to the Slayers, and are nearly always male. Major crimes include breaking and entering, minor assult, and numerous accounts of theft..

The colours, 'quietness' of the image and symbolism of the setting (doors and open doorways feature prominently and mysteriously in Hammershoi's work) are all deeply reminiscent of him. Another conventionally-handled and yet rather moving portrait was Philip Renforth's sympathetic portrait of his sister Debra, a casualty nurse, at the end of a long tiring shift. Echoing the pose of 'Sandy Watching' she sits in profile with her head exhaustedly under her chin, with her dressing gown revealing her long legs and her other hand dropped languidly by her side.

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By adjusting and tinting adolescence to be something it is not Teen Vogue is creating boundaries of race and gender, reiterating strict prejudice in the 21st century. Using critical analysis, Teen Vogue is a tool of manipulation and of the private sector. How could anyone develop in a society of not-too-tall, not-too-short all-blonde, all-money, females where men are merely sex idols?.